Maintaining the same character-width in all weights and slants enables the designer to change whole paragraphs into a different style/weight without changing the line break.īecause of the aspiration to keep the same width in all weights, some glyphs consequently develop their own dynamic. This typefaces comes with an extraordinary uniwidth feature, which sets the family apart from other humanistic linear grotesque typefaces. Though, it comes without serifs on i & uppercase I and still has no curl at the l. Set Classic is so elegant with the unique g and the open a.
Set Equal looks great with the alternative g & a, doesn’t it? It is still uniwidth and keeps its serifs at i & I, as well as its lovely curly l. But there can be a setup within a specific scene late in the story, with a character, object or concept appearing only to be used paragraphs or seconds later. Most of the important elements that are part of the setup are usually introduced during the exposition, with which it is sometimes confused. The set designer produces a scale model, scale drawings, paint elevations and research about props, textures, and so on.Ī setup, in storytelling, is the introduction in a plot of an element that will be useful to the story only later, when the payoff comes. Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. Uniwidth | dicktengleich | klassisch | proportional
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